The problem with defending death

Todd May has a short essay on death at the New York Times‘s Happy Days blog. The argument is age-old (so to speak), but he reiterates it in a concise, compelling, and beautiful way:

Immortality lasts a long time. It is not for nothing that in his story “The Immortal” Jorge Luis Borges pictures the immortal characters as unconcerned with their lives or their surroundings. Once you’ve followed your passion — playing the saxophone, loving men or women, traveling, writing poetry — for, say, 10,000 years, it will likely begin to lose its grip. There may be more to say or to do than anyone can ever accomplish. But each of us develops particular interests, engages in particular pursuits. When we have been at them long enough, we are likely to find ourselves just filling time. In the case of immortality, an inexhaustible period of time.
And when there is always time for everything, there is no urgency for anything. It may well be that life is not long enough. But it is equally true that a life without limits would lose the beauty of its moments. It would become boring, but more deeply it would become shapeless. Just one damn thing after another.
This is the paradox death imposes upon us: it grants us the possibility of a meaningful life even as it takes it away. It gives us the promise of each moment, even as it threatens to steal that moment, or at least reminds us that some time our moments will be gone. It allows each moment to insist upon itself, because there are only a limited number of them. And none of us knows how many.
Well put. But wouldn’t Todd May’s argument about the importance of omnipresent death in shaping our lives become somewhat twisted and strained if it actually were possible to halt aging (as life extension advocates believe will someday be possible)? It is one thing to argue for the wisdom of accepting death when it is an inevitability. But it would be very different to make a positive case for death when it is no longer inevitable.
In his blog post, May notes that “it is precisely because we cannot control when we will die, and know only that we will, that we can look upon our lives with the seriousness they merit.” But, although we can already decide to die if we so choose, might it not be much harder to look upon our lives with the same seriousness if we had to control when we died? Whatever the choice, our lives would take on a farcical quality, either from the emptiness of living without limits or the tragic absurdity of choosing to die rather than face that prospect.
(Hat tip: Brian Boyd)
[Image: “Q” from Star Trek: The Next Generation, portrayed by John de Lancie]